This afternoon Bottleneck Gallery and The Parallax Poster Co. are pairing two very different studies in obsession, one neon-sick and fragmented, the other almost severe in how little it needs to say. Matt Ryan Tobin’s Taxi Driver is built around … Read More
Cracked panes of glass split Eric Draven’s face into jagged fragments, with the crow itself emerging over his right shoulder, giving JS Rossbach’s take on The Crow a poster-like arrangement that still feels haunted and intimate. Rossbach keeps the palette … Read More
Interstellar and It’s a Wonderful Life make for an unusual pairing, but Bottleneck Gallery’s new drop finds a nice balance between the cosmic and the deeply human through work by Yusman Ali and Andrew Rowland. The Interstellar pieces lean hard … Read More
Dropping today as a co-release from Bottleneck Gallery and Vice Press, this Star Trek: The Original Motion Picture print is a good reminder that few artists ever painted spacecraft the way John Berkey did. The Enterprise dominates the sheet at … Read More
The round door of Bag End blown open with morning light is the first thing that grabs you, and Kevin Wilson uses that same doorway-like framing across all three of his new Lord of the Rings prints to turn the … Read More
Padmé’s red throne-room gown stands right at the center of Hugh Fleming’s new Phantom Menace print, anchoring a packed collage that stretches from Tatooine to the blue-black space above. Around her Qui-Gon and Obi-Wan loom large, a young Anakin and … Read More
This afternoon, Bottleneck Gallery is releasing Struzan’s Last Crusade artwork as a 9 color screen print, in a release put together with Galactic Gallery and the Struzan Estate to commemorate the late great movie poster designer. Even if you know … Read More
Neon geometry everywhere. Mr. Melville heads into Tron this afternoon at Bottleneck Gallery with a print that really leans into the film’s strange, synthetic space: a wide grid arena packed with recognizers, light cycles, floating spheres. Down in the foreground, … Read More
Ten monsters, one city on fire. Adam Spizak’s new Godzilla set for Bottleneck Gallery runs like a quick trip through different eras of Toho destruction, with each 16 x 24 inch giclée built around a single kaiju posed against the … Read More
Bottleneck Gallery and Vice Press are releasing this Star Trek: The Next Generation piece today, built from original art by Andrew Probert and Rick Sternbach and restored by Matt Ferguson, and it immediately clicked with us because we used to … Read More
Spider-Man: Into the Spider-Verse gets the Phantom City Creative treatment today, and it makes a lot of sense for a movie built on rhythm, scale, and a dozen things happening at once. PCC’s main composition puts Miles front and center … Read More
K stands with his back to us, and the whole film opens inside his coat. Max Löffler’s new Blade Runner 2049 print for Vice Press leans into Villeneuve’s sequel, building the image around that familiar fur-collared silhouette while tearing open … Read More
Joe Hogan builds this Samurai Jack print as a vertical run of episodes and adversaries. Rather than centering on one scene, the composition stacks various scenes and characters from the serries. Hogan’s angular shapes, hard silhouettes, and limited but shifting … Read More
Ben Harman’s new Jaws print turns Spielberg’s shark into a fun kids afternoon, framing the scene from a child’s point of view, rocket pop melting into streaks of red, the other hand grips a toy shark. Out beyond the surf, … Read More
Cold steel, soft ears. Matt Ferguson is heading back to Star Wars this Tuesday, with a new Bottleneck Gallery release for The Mandalorian and Grogu, and it feels nicely tuned to the series’ whole deal: hard-edged armor, weathered gear, and … Read More
Quiet week for us so far as there have not been a ton of movie related releases, but this afternoon Bottleneck Gallery’s drop pairs two very different kinds of large-scale menace, and the contrast is half the fun. DKNG continues … Read More
Mike McGee’s X-Men ’97 print for Bottleneck Gallery is built like a character wheel, with Wolverine planted up front while Beast crouches at his side, Cyclops and Jubilee anchor the right, Rogue at top left, and Jean floats above them … Read More
What makes Ian Permana’s take on The Iron Giant land a little differently for fans of the film is how little of the Giant he actually needs to show to get there: rather than a full heroic figure, he gives … Read More